Saturday, December 17, 2016

Connection Between Time and the Importance of Home Culture

Connection Between Time and the Importance of Home Culture

Migration has always existed; basically it is a constant process going on in the world, stretching through thousands of years. It is a topical issue, because of the mass migration coming from the East. My point is that as time passes by, the culture of origin, the home culture becomes more and more important to the individual, which is good, as long as it concerns the individual and it is not forced onto others.
A migration from the East can be observed throughout history, many European nations are descendants of Eastern nomad tribes. After the Second World War to strengthen the weakened economy, West-Germany invited many Turkish guest-workers (Detsch). More Middle-East nations followed, and went not only to Germany, but to other Western European countries. In the 1999 movie East is East, directed by Damien O’Donnell, the audience is presented with the story of the Khan family. The father is a Pakistani migrant, who arrived in Great Britain in the 1970s. He married a British woman, and they had six children (Khan-Din). This proves that when he arrived to Britain it was not important to him to marry a woman of his own culture. The father wants his sons to contribute to Pakistani values and tradition, and to marry Pakistani girls he had chosen (Khan-Din). This represents that as time passed by home culture became more important to the father. What is wrong about this is that he oppresses others and their free will.
John Berry’s model (1994; 2001) of acculturation separates four strategies as follows: integration, when the individual adjusts to the host culture and at the same time maintains his or her own culture; assimilation, when the individual gives up his or her own culture; separation, which means that the individual maintains his or her own culture and rejects interaction with the host culture; and marginalization, which is when the individual feels part neither of the home culture, nor of the host culture. (Berry). An interesting aspect connecting to the topic is that where religion is stronger there is a stronger need of sticking to home culture traditions, just like it was important in the movie for the Muslim father.
A personal aspect on the topic is that my parents moved to Belgium as young adults, and I was born there. According to them they never spoke French to me, only Hungarian, because they wanted their child to speak their mother tongue. Despite their efforts my brother, who was born in Belgium, and I speak French, because except for our parents, the environment we were brought up in was French. Later we moved back to Hungary, because my parents did not want to raise their children in a foreign culture, yet they acknowledged the benefits of growing up bilingual, so they always encouraged us to learn French, and see the world or move abroad. This exemplifies that they never forced us to contribute to their decisions.
What is common between both stories is that with time passing by the home culture became increasingly important. First the father in the movie enjoyed the new culture, just like my parents did, but later they started to trace back their roots and adapt more and more of their home culture. In the movie it is the father wanting to choose who his sons to marry, and in my parents case it is the fact that they decided to move back to Hungary.  The difference is that while the father forced his family to contribute to his culture regardless of their will, my parents have always left the decision to us.


Works Cited
Berry, J.W. (1994) Acculuturative Stress. In W.J. Lonner & R.S. Malpas (Eds), Psychology and Culture (pp. 211-215). Boston: Allyn & Bacon.

Berry, J.W. (2001) A psychology of immigration, Journal of Social Issues, 57 pp. 615-631

Detsch, Roland. “The 50th Anniversary of the Agreement on the Recruitment of Turkish Migrant Workers”, Translation: Paul McCarthy, Goethe-Institut e. V., Internet-Redaktion 
September 2011
http://www.goethe.de/lhr/prj/daz/mag/mig/en8124134.htm

 

Khan-Din, Ayub. East is East. Movie. Directed by Damien O’Donnell. 1999.



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